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Monumentality in Early Chinese Art and Architecture [Illustrated Chinese-English edition]. ISBN: 9787521353662
![Monumentality in Early Chinese Art and Architecture [Illustrated Chinese-English edition]. ISBN: 9787521353662](images/product_images/original_images/5028-0.jpg "Monumentality in Early Chinese Art and Architecture [Illustrated Chinese-English edition]. ISBN: 9787521353662")
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Format: Set 2 volumes
Chinese Title: 中国古代艺术与建筑中的“纪念碑性”(上.下)
English Titel: Monumentality in Early Chinese Art and Architecture [Chinese-English]
Author: 巫鸿 (Wu Hong)
ISBN-10: 7-5213-5366-8, 7521353668
ISBN-13: 978-7-5213-5366-2, 9787521353662
Pages: 956
Format: softcover
Shipping Weight: 1380g
Size: 150mm x 225mm
Language: simplified Chinese, English
Year of Publication: 2024
Publisher: Foreign Language Teaching and Research Press (外语教学与研究出版社)
How did ancient Chinese ritual art rise and gradually decline, evolving into an era of architectural monuments dominated by ancestral temples, palaces, and tombs? This book attempts to break down the categorization in art history research, using the core concept of the monument in Western ancient art as a thread to incorporate decorative arts, graphic arts, and architectural arts into a broader context of artistic development and change, thus reconstructing a macro-narrative of ancient Chinese art. The book discusses the development of Chinese monumental art from a macro perspective, analyzing the changes in the human spirit behind it. It studies the continuation and rupture of artistic traditions along a chronological framework, while also emphasizing the dynamic processes and uniqueness of individual cases. Chinese-English edition, Foreign Language Teaching and Research Press 2024, including many illustrations partly in black and white and partly in color.
中国古代艺术与建筑中的“纪念碑性”(上.下)
中国古代礼制艺术如何兴起，又如何逐渐衰亡，演变成以宗庙、宫殿与墓葬为主体的建筑性纪念碑时代？本书尝试打破美术史研究中的门类之别，以纪念碑这一西方古代艺术的核心概念为线索，将装饰艺术、图像艺术和建筑艺术纳入更大范围内艺术的发展变化之中，重构中国古代美术的宏观叙述。全书从宏观层面论述中国纪念碑艺术的发展脉络，并分析其背后人的精神层面的变化，既以时间为线索研究艺术传统的延续与断裂，又强调了个例的动态过程和独特性。
Inhalt
INTRODUCTION The Nine Tripods and Traditional Chinese Concepts of Monumentality
CHAPTER ONE The Age of Ritual Art
- The Concept of Liqi
- The Legacy of Ritual Art
- The Chinese Bronze Age
CHAPTER TWO Temple, Palace, and Tomb
- The Temple
- From Temple to Palace
- From Temple to Tomb
- The Chinese Discovery of Stone
CHAPTER THREE The Monumental City Changan
- Two Views of Changan
- Emperor Gaozu: The Birth of Changan
- Emperor Hui and the Walls of Changan
- Emperor Wus Fictional Garden
- Wang Mangs Bright Hall
CHAPTER FOUR Voices of Funerary Monuments
- The Family (1)
- The Family (2)
- Friends and Colleagues
- The Deceased
- Builders
CHAPTER FIVE The Transparent Stone: The End of an Era
- Reversed Image and Inverted Vision
- Binary Imagery and the Birth of Pictorial Space
- Epilogue: The Gate
Illustration Credits
Notes
Works Cited
Index
Chronologies
目录
导论 九鼎传说与中国古代的纪念碑性
壹 礼制艺术的时代
一 礼器的概念
二 礼仪美术的遗产
三 中国青铜时代
贰 宗庙宫殿与墓葬
一 宗庙
二 从宗庙到宫殿
三 从宗庙到墓葬
四 中国人对石头的发现
叁 纪念碑式城市长安
一 对长安的两种看法
二 高祖：长安的诞生
三 惠帝和长安城墙
四 武帝奇幻的苑囿
五 王莽的明堂
肆 丧葬纪念碑的声音
一 家庭（一）
二 家庭（二）
三 友人与同僚
四 死者
五 建造者
伍 透明之石：一个时代的终结
一 倒像与反视
二 二元图像与绘画空间的诞生
三 尾声：门阙
插图出处
注释
参考文献
索引
年表
译者后记
Chinese Title: 中国古代艺术与建筑中的“纪念碑性”(上.下)
English Titel: Monumentality in Early Chinese Art and Architecture [Chinese-English]
Author: 巫鸿 (Wu Hong)
ISBN-10: 7-5213-5366-8, 7521353668
ISBN-13: 978-7-5213-5366-2, 9787521353662
Pages: 956
Format: softcover
Shipping Weight: 1380g
Size: 150mm x 225mm
Language: simplified Chinese, English
Year of Publication: 2024
Publisher: Foreign Language Teaching and Research Press (外语教学与研究出版社)
How did ancient Chinese ritual art rise and gradually decline, evolving into an era of architectural monuments dominated by ancestral temples, palaces, and tombs? This book attempts to break down the categorization in art history research, using the core concept of the monument in Western ancient art as a thread to incorporate decorative arts, graphic arts, and architectural arts into a broader context of artistic development and change, thus reconstructing a macro-narrative of ancient Chinese art. The book discusses the development of Chinese monumental art from a macro perspective, analyzing the changes in the human spirit behind it. It studies the continuation and rupture of artistic traditions along a chronological framework, while also emphasizing the dynamic processes and uniqueness of individual cases. Chinese-English edition, Foreign Language Teaching and Research Press 2024, including many illustrations partly in black and white and partly in color.
中国古代艺术与建筑中的“纪念碑性”(上.下)
中国古代礼制艺术如何兴起，又如何逐渐衰亡，演变成以宗庙、宫殿与墓葬为主体的建筑性纪念碑时代？本书尝试打破美术史研究中的门类之别，以纪念碑这一西方古代艺术的核心概念为线索，将装饰艺术、图像艺术和建筑艺术纳入更大范围内艺术的发展变化之中，重构中国古代美术的宏观叙述。全书从宏观层面论述中国纪念碑艺术的发展脉络，并分析其背后人的精神层面的变化，既以时间为线索研究艺术传统的延续与断裂，又强调了个例的动态过程和独特性。
Inhalt
INTRODUCTION The Nine Tripods and Traditional Chinese Concepts of Monumentality
CHAPTER ONE The Age of Ritual Art
- The Concept of Liqi
- The Legacy of Ritual Art
- The Chinese Bronze Age
CHAPTER TWO Temple, Palace, and Tomb
- The Temple
- From Temple to Palace
- From Temple to Tomb
- The Chinese Discovery of Stone
CHAPTER THREE The Monumental City Changan
- Two Views of Changan
- Emperor Gaozu: The Birth of Changan
- Emperor Hui and the Walls of Changan
- Emperor Wus Fictional Garden
- Wang Mangs Bright Hall
CHAPTER FOUR Voices of Funerary Monuments
- The Family (1)
- The Family (2)
- Friends and Colleagues
- The Deceased
- Builders
CHAPTER FIVE The Transparent Stone: The End of an Era
- Reversed Image and Inverted Vision
- Binary Imagery and the Birth of Pictorial Space
- Epilogue: The Gate
Illustration Credits
Notes
Works Cited
Index
Chronologies
目录
导论 九鼎传说与中国古代的纪念碑性
壹 礼制艺术的时代
一 礼器的概念
二 礼仪美术的遗产
三 中国青铜时代
贰 宗庙宫殿与墓葬
一 宗庙
二 从宗庙到宫殿
三 从宗庙到墓葬
四 中国人对石头的发现
叁 纪念碑式城市长安
一 对长安的两种看法
二 高祖：长安的诞生
三 惠帝和长安城墙
四 武帝奇幻的苑囿
五 王莽的明堂
肆 丧葬纪念碑的声音
一 家庭（一）
二 家庭（二）
三 友人与同僚
四 死者
五 建造者
伍 透明之石：一个时代的终结
一 倒像与反视
二 二元图像与绘画空间的诞生
三 尾声：门阙
插图出处
注释
参考文献
索引
年表
译者后记